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REVIEWS
Yanagi is one of the best-selling and most sought-after artists
in Ireland today. He has studios in both Ireland and Spain.
Yanagi first began exhibiting his work in 1984 and in the
following decade lived and worked in Minneapolis, Oslo, Barcelona
and London moving to Clonakilty, Ireland in 1995.
Life in the slow lane
Yanagi exchanged a busy London life for the tranquility of
the West Cork countryside. The change had a profound effect
on him. Cityscapes were replaced by large, abstract, meditational
watercolours celebrating life in its myriad forms.
Channelling the wonders of the world
The beauty of Ireland opened a floodgate. Inspiration poured
in from the heavens, the ocean, the rolling fields, from rivers,
streams, rocks and ponds. A constant theme was the exploration
of the holographic nature of the Universe, where the microcosm
reflects the macrocosm and vice versa. The paintings were
often ambiguous. Was this life viewed through a telescope
or a microscope? What was not in any doubt though was the
awe and wonder they captured.
They bring to mind the words of William Blake in Songs of
Innocence:
"To see a World in a grain of sand
And a Heaven in a Wild Flower,
Hold Infinity
In the Palm of your hand
And Eternity in an Hour."
“Yanagi is an artist who creates meditative, semi-abstract
paintings inspired by the outer landscape of sky, stars, planets,
the fall of light and water.
I first encountered Yanagi in my gallery, Oisin Arts, over
ten years ago when he presented me with three paintings to
be framed for the Guinness Collection. I marvelled at his
use of watercolour. Most artists would have fallen into the
trap of creating "mud" by the use of such an amount
of watercolour, he didn't. At that time I assumed they were
abstract scenes, but three weeks later I visited his studio
in West Cork and learnt about the man and his subject matter.
His work follows the tradition of American abstract painters
such as Rothko, Newman and Motherwell, whilst insisting on
notions of subject and place that his predecessors had attempted
to banish. Yanagi is, in some respects, a landscape artist
in the same tradition as Constable. However Yanagi's landscape
does not rely on the familiar construction of horizon, sky,
middle ground and fore ground to anchor the scale of the subject
matter. Instead, whilst taking his inspiration from the natural
world he frees himself from the limitations imposed by scale
and form. One of my favourite paintings at Oisin Arts
is Yanagi’s Life in the Stream both for the energy produced
by its range of colours and for its ability to convey the
movement of the stream.”
- Donal McNeela, Managing Director, Oisin Gallery,
Dublin
“Yanagi continues to gaze at distant stars, whilst
at the same time looking at rocks, pools, rivers and seas.
He challenges the traditional viewpoints and subjects of the
Irish landscape artist, yet also adds greatly to that tradition. He
continues to find the intimate in the infinite and brings
a sense of human scale and comprehension to the vastness of
space.”
- Paul Kelly
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